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"Michael Marissen's new and largely persuasive conceptions do much to increase our awareness of Bach's historical environment and his tendency to reformulate the conventions of his day. . . . The basic points of his book will appeal to a wide range of readers concerned with eighteenth-century studies."--John Butt, University of California, Berkeley ... Lire la suite "A superb study that accomplishes more than many much longer books. While the Brandenburg concertos have often been examined by musicologists, they have not really been taken seriously as cultural texts. Marissen makes it very clear that this kind of interpretive work is crucial if we are to understand music's historical and cultural significance."--Susan McClary, University of California, Los Angeles
"Michael Marissen's new and largely persuasive conceptions do much to increase our awareness of Bach's historical environment and his tendency to reformulate the conventions of his day. . . . The basic points of his book will appeal to a wide range of readers concerned with eighteenth-century studies."--John Butt, University of California, Berkeley
"A superb study that accomplishes more than many much longer books. While the Brandenburg concertos have often been examined by musicologists, they have not really been taken seriously as cultural texts. Marissen makes it very clear that this kind of interpretive work is crucial if we are to understand music's historical and cultural significance."--Susan McClary, University of California, Los Angeles
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