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Taking an original approach to American literature, Christopher Krentz examines 19th-century writing from a new angle: that of deafness, which he shows to have surprising importance in identity formation. He demonstrates that deaf and hearing authors used writing to explore their similarities and differences, trying to work out the invisible boundary, analogous to Du Bois's color line, that Krentz calls the "hearing line." Discusses authors including James Fenimore Cooper, Lydia Huntley Sigourney, Herman Melville, and ... Lire la suite Mark Twain.
Writing Deafness : The Hearing ...
Krentz, Christopher
Bigfoot
Krensky, Stephen
Allemand ; Debutant
Kremp, W ; Sorg, C
Nietzsche Et La Rhetorique
Kremer-Marietti, Angele
"l'Offrande Musicale" De Jean-Sébastien ...
Kremer J.F